A-10 Thunderbolt II, the beloved Hog, seen from the ground as it ascends through fire and smoke. Ungainly in form, absolute in function — salvation remembered in orbit.
Ungainly in the heavens, perfect in the mire. The angel of the grunts, the saviour of the mudbound, descending where supersonic seraphs cannot follow.
The Avenger, spitting its hymnal — a litany of blessings, a litany of curses, each round a deliverance, each burst a verdict, each BRRRT a divine fart of metal and fury.
Not beautiful in form, function absolute. Circling — until the circle breaks, until the skies bristle with javelins it cannot parry, unequipped for denial, its hymn falters at the edge of fires it cannot answer.
Yet in the memory of mud and smoke, its orbit remains a halo, its voice a liturgy of salvation and wrath. Ungainly, inappropriate, unbeautiful — beloved. The angel, the saviour, the Avenger.
Forged in the Cold War, war-standards raised. Built for dominance, not grace. A warrior that refuses to leave the sky.
Many machines were born of that crucible, but few with such ruthless clarity. The Eagle was not mere aircraft, but declaration:
— the air is ours. — we own the skies.
Ascent
The boast was truth. Where rivals rose, the Eagle struck. Each victory a verse; myth eclipsed machine.
Time is the enemy of all warriors. His sea twin, spine broken and displayed, others to oblivion. The Eagle should have followed, too brutal for the stealth age.
It refused. It shed tired feathers, grew new talons, and returned, the EX-alted one— no shadow‑dweller, no phantom, a martial avatar challenging the future.
Apotheosis
Once a war beast— heavy cavalry of the sky, talons bared— the Eagle becomes other:
—becomes war machine divine, thundering sky‑chariot, —becomes no longer beast of sinew and claw, storm‑engine, —becomes elemental: the sky made form.
The Eagle becomes machine‑god, sharpening consecrated implements.
—Each upgrade a ritual. —Each weapon an offering. —Each flight an endurance.
Descent
As a machine‑god, still a fighter. The Eagle is a creature apart. Undying warrior, scarred by decades, reforged, renewed, the last incarnation of the eternal champion, still aloft long after peers descended.
Cultural Afterburn
The Eagle never became a movie star. No Top Gun moment, no blaze of pop culture. Its myth was written in victories. It still flies.
Where the Tomcat became a totem of imagination, the Eagle is here.
Its imprint is quieter, heavier. Not nostalgia. Presence.
A farewell to the titanium creatures that once ruled the skies — and still haunt the horizon of memory.
Introduction
Somewhere in the haze of satellite footage and silence, five Tomcats fell. Israeli strikes, confirmed by released footage and military sources, destroyed several of Iran’s last F-14s — perhaps grounded, perhaps ghosts still dreaming of flight. Either way, among the last of their kind still tethered to this plane.
It’s a strange feeling, watching an era slip quietly out of the sky.
The Tomcat was more than a fighter jet. She was a creature of myth — forged bones, swing wings, and a roar that once defined the edge of human ambition and engineering audacity.
Eulogy
They were never meant to last this long.
Forged on Long Island’s wind-swept tarmac, birthed with the arrogance of a superpower, the F-14 Tomcat was built to stalk Backfires and turn lumbering Bears back toward the pole.
Her swing wings inscribed prayers in the clouds, a fleeting aria of flight, a hymn of speed. Her titanium wing box, fused by an invisible fire, was a bastion of strength — a spine that bore every catapult launch and supersonic dive.
She carried the sky’s first silicon soul — dreaming, flying, in code.
For decades the Aegis of the fleets. Some crossed the ocean into Persian skies — patched, coaxed, and kept alive by keepers who refused to let a legend die.
They scavenged miracles from scrap machining the impossible, breathing life into machines whose time had passed.
Even titanium bends to fatigue and time.
In recent weeks, some of those proud creatures were destroyed before they could ever take to the air again.
The news was brief, the footage grainy.
But those who know the shape of that wing — that unmistakable silhouette — felt that toll between the ribs.
It was the end of an age — the last gasp of an era that once ruled Cold War skies.
Her fate was one of conflict — born from tension and kept alive through stubborn will — caught between eras, between the analog and the digital.
So let us remember her not for the politics of her end, but for what she was — a machine that was more than its reality.
A set of forged bones and composite feathers that gave human will the power to challenge the horizon.
A predator with grace enough to make poets out of pilots.
Now the last Tomcats grow few. No more will those wings sweep wide over desert dawns. No more will that metallic heart thrum beneath mortal skies.
The sky is quieter tonight.
She may be gone from the earthbound flight lines, but somewhere in the thin air above memory, she still rolls into the sun — wings sweeping back, engines singing their feral hymn.
Her judgement still reaches beyond the horizon, she still growls — fading, out of this world… the Huntress, eternal.
Cultural Afterburn
Long before the last Cats left the carrier deck, their echoes found new skies to fly in.
The F‑14 wasn’t just an aircraft; it became an icon — a symbol of analog audacity in a digital age.
Its silhouette, all claws and grace, swept into cinema, anime, and games alike.
On screen, the Tomcat roared into immortality with Top Gun (1986), the movie that turned naval aviation into myth and pilots into rockstars. When it reappeared in Top Gun: Maverick (2022), battered but unbowed, it wasn’t just nostalgia — it was resurrection, and farewell.
In Japan, the Cat transformed again: Macross and its Western cousin Robotech reimagined the swing‑wing fighter as the VF‑1 Valkyrie — a love letter to engineering and imagination.
From After Burner’s neon horizons to Ace Combat’s operatic dogfights, from Tom Clancy’s thrillers to model‑builder showcases, the Tomcat became more than a jet. It became a totem.
Few machines cross that line between tool and totem. The F‑14 did.
It didn’t just fly; it inspired.
And in every digital sky, every retro arcade, every mecha hangar, the last Cats still prowl — titanium hearts beating somewhere between memory and myth.
At an affordable USD 2510, you too can own this ode to the historic peace summit in Helsinki. Underneath that tasteful gold surface lurks the mighty guts of the Nokia 3310 reboot…
5 years ago today, the last version of Quintessential Music Player was released. It was, in my opinion, the best available audio player on Windows at the time.
That was unfortunately the last gasp of a lineage going back to 1997, when in an earlier incarnation as Quintessential CD it was the best audio CD player software available. QMP together with the early P2P protocols such as Naspter and AudioGalaxy expanded my musical horizons to a breadth that would have been unimaginable without this technology.
I stuck with it till probably 2011 or so, when I picked up a Squeezebox Touch (what is it with me and music tech?). It was also around that time I assembled a new desktop PC running Windows 7 64 bit which QMP didn’t play very well with, and so ends a short but significant phase of my life.
I was one of the early adopters of µTorrent, having started used the first public beta 1.1 all the way back in 2005. When Bittorrent acquired it in 2006 I was concerned but decided to stick with it as it was still the best Bittorrent client available.
I even tolerated the ads added in the August 2012 build of µTorrent which I needed to update to thanks to the write cache bug uncovered by Pleasuredome users (of which I am one). However, recent bullshit has prompted me to look elsewhere post-haste.
1. eliminated Tixati unfortunately, which I like the look of. 2. did away with Halite, which I really wanted to succeed, but it seems a bit of a dormant project.
I was down to 3: Deluge, qBittorrent and Transmission. I tried all three, but they didn’t really suit my workflow. And then, the client-daemon architecture of Transmission to the rescue. I found Transmission Remote GUI, which I found suits me just fine (i.e. it works like old µTorrent!) and now I have my new BT client.
So, I guess this is goodbye µT. It has been great, thanks.
