This has gotta be one of the coolest product I have came across thats related to the anime, Neon Genesis Evangelion!
Damn shame, that I’ve no idea whether it is actually for sale (not that I can afford it) But check out the coolness of this fine looking … plate.
Eva fans would have definitely noticed that the fork (away from picture) is actually a replica of the ‘Longinus Spear’ used in the anime itself, oh and note that both of her hands were actually pierced as well. So…cute!!!
(Alright, now I understand why my friend says I’ve a warped sense of humour.)
Come Mar and Apr and it’s the typical moment where we’re being INNUDATED with new anime, and the ever popular (and often deliciously crappy) mecha genre is going into factory overtime mode. We already have the somewhat impressive Reideen (considering its progenitor material), and quite a few barrel-bottom scrappers (like the hilarious Voltron knockoff Dancougar Nova that doesn’t even go for the magic number 5 for the useless gestalt parts), but that’s not the focus for this little piece…
Heroic Age sounds suitably pulpy as a title, and from all indications it seems to be exactly that. In recent years we’ve had some resurgence with both the grand space opera and the realism sub-genres in the area of sci-fi, what with efforts like Gunbuster II and the Crest/Banner of the Stars (coming on the heels of the genre classics like Legend of the Galactic Heroes) for the former and Planetes and Starship Operators for the latter. Heroic Age is a somewhat schizophrenic combination of both these areas, as we’ll soon see.
Our story begins in apocryphal fashion, with one of the series’ characters giving us the customary infodump narrative on the grand scope of things. In vague fashion we get the spiel on an advanced alien race called the Golden Tribe (given the way Marvel-esque cosmic entities are tagged, this isn’t as howlsworthy as it seems) that issues a clarion call to the younger races in the primeval past, and 3 “younger” races answer in suitably stirring fashion in the race to the stars and dominion over all things material. After weighing up the situation our glowing plot devices decide to move on (another plane? universe? college party with brewskis?), but a wee fact snares their attention: pesky homo sapiens has joined the party late (presumably getting the memo from the local planning department on Alpha Centauri in time).
Some confusing conflation of time and circumstance happen, and our resident superfriends are seen mucking around in a ruined human craft that has landed on an unidentified world, and would you know it, there’s a human babe in your typical swaddling clothes there for the picking. Our Golden Tribus members, in a stunningly obvious reverse spoof of Superman, whisks him away…..
Cue the present…
The human vessel Argonaut (suitably named once the nature of its mission is clear) is out on a long trip through the cosmos, and they’re on short supplies. Aboard is our main female character, the princess Deianeira, and she has certain psychic gifts that she uses to scan nearby space for the mysterious object of their laborious quest, while following the usual cryptic clues and a related distress beacon signal. 2 facts become salient, that Deianeira is ruling over her crew/nation in matriarchial fashion and she and the crew are desperately searching for salvation in a lopsided war (no, there are no Vipers around. At least, not in this ep.) In a turn of events very convenient to the viewer, they’ve discovered the planet they’ve been looking for, and an armed scouting party are sent down with the princess.
In the ruins of a ship (dum dum dum DUUUUUM) they discover a wild-haired child alone that whimsically refers to the malfunctioning ship AI as Mother (either through being left alone too long or outright adorable insanity), but no real clues as to who he is or why the ship is there, beyond the yet-to-be analyzed ship log. We also get a glimpse of our hopefully non-Odious Comic Relief pairing, the psychic twins Malyl and Talyl and aides to the Princess (one of them being voiced by the familar kender voice of Rie Kugimiya) as well as the token male sidekick, the Junos Knight Iolaus. Before the search party can question the wildling, the plot moves onto the gatecrashers….
….who are the delightfully named Bronze Tribe, who seems to be at least a component of the war effort that’s acting against the humans. Taking a page from the Borg Rulebook for Geometric Starship Construction, they take to the cosmos in monolithic planetoids, and the Argonaut, caught in orbit when one such ship bears down on them whilst the party is still earthbound, retaliates in typical space opera-ish fashion: saturation fire. It doesn’t work on the planetoid, and enough grunt units slip through the point defence blanket to enter the planet’s atmosphere.
The search party are soon surrounded by the aliens, who look to have escaped from a Starcraft or Starship Trooper movie set. Things look grim, but it’s only the first episode! Predictably enough, the wilding turns Hulk and invokes/summons/becomes possibly the wankiest giant walking bag of bolts in anime since Ideon and the Gunbusters. Running amok, the metal beast soon clears the ring in a matter of speaking, and Deianeira confirms our big, lethal Iron Giant is what they’ve been looking for, whilst leaving quite a few questions unanswered.
QUICK VERDICT: There’s nothing outstandingly original about what is on show in this dish, but it does blend together space opera-ish elements (thematic, visual and plot-wise) from Star Wars, BSG, Gunbuster, Banner of the Stars and even Lensman with mixed success. The action certainly moves along in a brisk fashion (usually the case given it’s the first episode for a non-franchise series), and there’s a refreshing lack of anything remotely emo-ish, but that may change once the series develops. The series does have major pluses in that the plot and certain elements of the mecha are intriguing enough to draw in viewers and it’s evident that the storyboarders don’t take the characters too seriously, which always helps in a pulp setting that has indeterminate quality.
A new season of anime has come upon us. As a discerning adult viewer with no time (and even less patience) it will be impossible to follow every series, so what to do?
Easy. I know what I like, so that eliminates most of what I consider to be dreck (harem anime are definitely out, for example). Then, dedicate about half a day (on a weekend of course), watch and judge the first episodes of the series that look like something I might like, and then decide which to follow and which to drop. Three episodes to decide for the borderline cases. Usually reliable, but of course some anime really gets going halfway through (take a bow, Trigun) and others have promising starts and then dissolve into dull affairs (yes, I’m looking at you, Bakumatsu Kikansetsu Irohanihoheto). I may miss a few gems this way, or waste my time with lousy stuff, but… ah, curse my adult responsibilities.
So… this season seems promising. First thing to notice, the Super Robot genre has made a comeback, with not one, but two series that look good. I prefer the Real Robot genre (more Macross? Please? Even more FMP! would be welcome), but I take what I can get.
First up, we have the remake Reideen. Superb production values, mysterious hot girl, subtle humour, a monster of the week format and a lead character who is not annoying? A sure winner.
Next up, Bokurano (Ours). It features a whole bunch of kids, and has a very different feel from Reideen, very dark, very sinister. Lord of the Flies-esque, even. Plus that opening theme “Uninstall” by Ishikawa Chiaki is great. I did not think it was possible to make the word “uninstall” sound so poignant. The author of the Bokurano manga also wrote the excellent Narutaru, so I have high hopes for this one. Could be the best of the season.
The comedy of the season should be Hayate no Gotoku! (Hayate the Combat Butler). I have seen two episodes, and I cannot get enough of it. Simply brilliant. Could be this season’s Gintama. Or… is this season’s Gintama still Gintama? Hmm…
The last series I am enthusiastic about is Moonlight Mile. Looks to be hard sci-fi, and reminds me of Planetes. Excellent, and enough said, really.
In addition, there are a few series I may take a closer look at if I happen to have some spare time.
First up, Gainax’s own entry into the Super Robot wars Gurren Lagann. I am not convinced with both the character design and mecha design, and thus not keen on it. Knowing Gainax though, production values will be high.
Darker Than Black has good character designs, an interesting setting and good production values, but somehow the first episode left me a little cold. I probably will have to catch a few more episodes before I can make up my mind about this one. The bespectacled policewoman looks great though, so I want to like it. And then there is the almost obligatory personality deficient loli-goth girl for that certain segment of viewers (you know who you are, perverts).
Last, we have Claymore. The moment a monster uttered “So… So this is… a Claymore?” right at the beginning of the 2nd episode, I knew it was… typical shounen wank material. Parts of the premise is interesting, so it falls solidly into the three episode category.
That about sums this season up. Any other series this season I should check out? Think I wouldn’t know a good anime if it bit me on the ass? Comment.
On one sunny day
She, who is endlessly wishing for
The fun beyond magic, is a problem
Suzumiya Haruhi no Yuutsu (涼宮ハルヒの憂鬱) or The Melancholy of Suzumiya Haruhi was one of the better anime of 2006. Not the best, mind you, but definitely one of my top 5. The ending theme Hare Hare Yukai (Sunny Sunny Fun) is generic J-pop fluff (i.e. not my idea of art or a good time), but the ending animation is strangely addictive, a guilty pleasure.
Just found out recently that the voice actors each recorded a version of Hare Hare Yukai in character. Thanks to YouTube, I managed to listen to a few. Mostly rather mediocre (as I expected) but there is one gem, the Kyon version.
It has a bluesy, “unplugged” feel, and Kyon (Tomokazu Sugita) has a fine singing voice. Plus, the lyrics are hilarious for anybody who’s seen the show, or read the manga or novels.
My Amazon order arrived late last week. I am a happy and contented man.
Clockwise from top left, a pair of Ayreon albums, “Into the Electric Castle” and “Actual Fantasy Revisited”, Frameshift “An Absence of Empathy”, “Ghost in the Shell 2: Innocence After the Long Goodbye” and the pièce de résistance, “The Absolute Sandman, Volume 1”.