Melancholia is von Trier’s new film, and looks to follow Monsters back in 2010 in taking a mainstream Hollywood concept and relegating it to a basic background plot premise in order to focus on the characters. Of course, this is a v.Trier film, which means it’s going to veer hard right into demented territory. I don’t expect it to have the raw impact of Dogville and/or Antichrist though, unless that whole trailer throws us for a loop. This is the man who claimed that all of his films till now have had happy endings. He’s either a supreme troll, a subversive genius or a complete nut. Perhaps a little bit of all three. Still, if he’s bonkers, it’s the good kind of bonkery.
Category: Movies
When did Korean girls transform from fuddy-duddy to smoking hot?
I don’t have the answer.
But I distinctly remembered that the Koreans girls were once seen as the poor cousins of Japanese girls. Japanese girls were the cute/sexy/hot ones while the Koreans girls were… well, motherly. In a Kim Jong Il manner.
Is it the Korean dramas that sport ridiculously looking gay dudes who sent girls swooning over some stupid sit-up scene? A nefarious soft power projection by the South Korea gov? The vast improvement in skillsets of the Korean plastic surgeons? All of the above?
Anyway, who cares? A couple of years down the road, I’ll be too old to be looking at teenage girls prancing on the stage without feeling like a dirty old bastard. Might as well enjoy the ride it last.
Random Korean girl group
R.I.P. John Barry
In the midst of all the insanity of football transfer news over last night, I actually didn’t realise the passing of the great composer, Mr John Barry.
You won’t find me blogging much about music news as I know nuts about this subject, but Mr Barry is kinda different. Probably best known for his works in the James Bond films, John Barry probably created what is best described as the “Bond Sound”.
Mixing a blend of horns, jazz, strings, brass (I’m not entirely sure what I’m listing here is even correct, so don’t get pissed if I got them wrong), his influence in the soundtrack of future Bond films which he does not even contribute can be felt. (Don’t believe me? Check out the Casino Royale and Quantum of Solace songs.)
I guess I would probably want to list down one of my favourite soundtracks of all time. One that I actually bought (in cassette tape, no less) because I had a thing for a-ha when I was a boy, but ended up loving for the rest of the instrumental tracks when I grew up.
The album, as you would have guessed correctly by now, is “The Living Daylights” (1987). The soundtrack would turn out to be Barry’s last contribution to the Bond franchise. Fusing a bit of disco, a bit of classical music and lots of that ‘Bond Sound’, this soundtrack when listened today brings a very retro-futuristic vibe to it.
I have included my favourite track of the movie’s soundtrack below, which I just found on youtube, which is I guess my way of honouring the passing of the great composer.